Review: "Son of a Liche" by J. Zachary Pike

Disgraced hero Gorm Ingerson and his dysfunctional party are outlaws, but they may also be the only hope against an army of the undead in J. Zachary Pike’s “Son of a Liche” ($5.99, Gnomish Press).

Caught in a set up at the end of the previous book, “Orconomics,” Gorm and his band are hiding from the law, but there are bigger threats than assassins’ contracts and the rewards plastered everywhere on badly-drawn posters.

The heroes follow the trail of the Guz’Varda tribe of orcs to try to make amends for the disastrous consequences of their last quest. But the Guz’Varda have joined the Red Horde, a band of shadowkin set on returning to the old ways of violence and pillaging. At the same time, the necromancer Detarr Ur’Mayan (who happens to be the father of the band’s noctomancer, Jynn) has raised an army of the undead and is marching across the kingdoms, aggressively recruiting on the way.

The outlaws may have the secret to stopping both threats, but they’re not going to make any friends among the world’s powers that be by doing it.

Review: "The Death of Dulgath," by Michael J. Sullivan

It’s been too long since I traveled with Royce Melborn and Hadrian Blackwater, so it was good to see them again in Michael J. Sullivan’s “The Death of Dulgath” ($14.95, Riyria Enterprises).

Riyria has drawn one of its strangest assignments yet. After three failed assassination attempts, Royce and Hadrian have been hired to protect the Lady Dulgath, who rules over a strange and prosperous land where it never rains during the day and crops never fail.

Well, not protect, exactly. Royce has been hired to find the best way to assassinate her so that the local officials can prevent it.

The Lady Dulgath, though, turns out to be quite a bit more than Royce and Hadrian expect. She seems to have knowledge beyond her years, and she’s also seemingly unconcerned about the attempts on her life.

Add to that the fact that Royce and Hadrian don’t exactly endear themselves to the local public upon their arrival, and you have a very uncomfortable situation for our favorite thieves.

Review: "The Thief Who Spat in Luck's Good Eye," by Michael McClung

I read Michael McClung’s “The Thief Who Pulled on Trouble’s Braids” a month or so ago when it won the Self Published Fantasy Blog Off, and I absolutely loved it. I couldn’t wait to dig into the second volume, “The Thief Who Spat in Luck’s Good Eye.”

The second book is a bit of a different creature from the first as the stage and story get bigger.

Amra Thetys and Holgren, who we met in the first volume, make an odd couple. Holgren is a mage who dislikes the use of magic, and while Amra does seem to enjoy her work as a thief, she works by her own moral code.

When a giant reward is offered for anyone who can retrieve the secret of immortality from the ancient lost city of Thagoth, Holgren convinces the reluctant Amra to help him claim it, even though they're not really sure what they're looking for or where it is. If they can discover the location of the city, Holgren can open a gate to get them there well ahead of the other adventurers seeking the reward who will have to travel by more conventional means. They can claim the prize and be back before their competitors really get started.

Review: "The Thief Who Pulled on Trouble's Braids" by Michael McClung

Even though the event officially ended this weekend, I’m still continuing my journey through the finalists in Mark Lawrence’s Self-Published Fantasy Blog Off. So far I’m 1-for-1, having really liked David Benem’s “What Remains of Heroes” and having an enjoyable, but ultimately unsatisfying experience with Matthew Colville’s “Priest.”

As luck would have it, I started reading Michael McClung’s “The Thief Who Pulled on Trouble’s Braids” last week, and it was just named the winner of the contest on Saturday. The book received an average score of 8/10 from the 10 participating blogs with a high score of 9 and a low of 6.5.

As far as I’m concerned, “The Thief Who Pulled on Trouble’s Braids” represents exactly what the Self-Published Fantasy Blog Off was created to discover – self-published fantasy novels that are every bit as good as anything coming from the big publishing houses.

Memory Lane: "The Colour of Magic" by Terry Pratchett

With the passing of Sir Terry Pratchett a few weeks ago, I decided that it might be time to revisit some of those early Discworld novels that I haven't read in years. I was tempted to begin my journey with "Sourcery," which was my first Pratchett novel, but after much debate, I decided to start at the beginning with "The Colour of Magic" ($9.99, Harper Collins).

This first volume does a delightful job of introducing the reader to the zany and colorful world of the Disc through the eyes of the inept failed wizard Rincewind and the world's first tourist, Twoflower.

Rincewind, who is much more comfortable running away from trouble than toward it, at first tries to avoid the flamboyant tourist from a strange land and his, umm, interesting luggage. That becomes impossible when Lord Vetinari, the Patrician of the, ahem, "grand" city of Ankh-Morpork charges the wizard with protecting the tourist. As fans of Pratchett know already, no one refuses Vetinari -- at least no one who survives more than a few more sentences.

That sets Rincewind on a path that will take him to the very edge of the disc and beyond, and also serves to introduce readers to a wide swath of the world that we all came to know and love.

Legend of Drizzt: "The Third Level," read by Greg Grunberg

I hit the first bump on my audiobook journey with the third tale of this collection, “The Third Level,” read by Greg Grunberg of Heroes and Alias.

The story focuses on one of Drizzt Do’Urden’s arch-enemies, the thief and assassin Artemis Entreri. “The Third Level” tells of Entreri’s early years in Calimport and his meteoric rise from a teenage street thug in a poor neighborhood to a lieutenant in Pasha Basadoni’s thieves guild.

The story establishes the cunning and commitment of the young Entreri, and gives us a few glimpses of both the life that led him down this path and the ruthless man that he will one day become.

I always liked Entreri, as his mind seemed just as sharp as his blades, and I looked forward to the times when he locked horns with Drizzt because they always made for some magnificent combat scenes – one of R.A. Salvatore’s greatest strengths.

Review: "The Rose and the Thorn" by Michael J. Sullivan

I’m not usually big on prequels. In most cases, I think it takes some of the suspense and tension out of the story because you know what happened. I’ll make a very big exception for Michael J. Sullivan’s “The Rose and the Thorn” ($16, Orbit), though. Not only is it a great prequel, but one of the best books in his Riyria series.

We rejoin Hadrian and Royce during the uneasy tension of their early days together, as Hadrian tries to prove to Royce that people are basically good and Royce tries to prove his position that everyone is selfish and uncaring. The book opens on this note as Hadrian pauses to help a woman who says she needs a drunken, threatening man removed from her barn. That man proves to be none other than Viscount Albert Winslow, and the woman, well, let’s just say she’s not as helpless as she pretended.

That sets the stage for the birth of Riryia. The pair heads back to Medford House to visit their friend Gwen DeLancey only to be shockingly turned away. They find themselves across the street at the establishment of the girls’ old boss Grue, where they find that Gwen was brutally beaten on the street. That sets Royce on a course of vengeance that will alter the political landscape and set some of the events of the Riryia Revelations into motion.

Review: "Among Thieves" by Douglas Hulick

I'll take a break from the books that I should have read last year theme to revisit one I should have read several years ago, Douglas Hulick's "Among Thieves" ($7.99, Roc).

This one has been on my to read list for quite a while, but kept getting shuffled down thanks to a natural reaction I sometimes have to thieves tales. Once I started it, I was immediately sorry that I'd put it off for so long.

Drothe is a member of the Kin, a surprisingly well-organized group of criminals and cons. He serves as a Nose, which means that his job is to hit the streets and find important and interesting information for an Upright Man, the crime lord for whom he works.

When Drothe isn't doing that, he's running his own games on the side. His latest involves an imperial relic that has gone missing in transit. As Drothe attempts to find his missing relic, he stumbles into a much bigger game, one that will most certainly change his life, and possibly the world.

Review: "The Crown Tower" by Michael J. Sullivan

What do you do when you end your series with some finality, but your No. 1 reader wants more tales about your character? Michael J. Sullivan takes us back to the beginning in "The Crown Tower" ($16, Orbit).

As Sullivan explains in the introduction to the book, his wife wanted to read more about his hero Hadrian Blackwater, but he felt that any other story he had to tell about Hadrian and his partner Royce Melborn would feel tacked on. Instead, he takes us 12 years into their past, to the moment that they came together thanks to a university professor.

Arcadius, of the University in Sheridan, has purchased Royce's freedom from Manzant prison and asks for a service in return. The professor was also friends with Hadrian's father and calls the warrior to him to fulfill one of his father's final wishes. The result is a near impossible heist and an unlikely alliance between the fierce warrior Hadrian, who is looking for something a bit more noble in life, and the ruthless and amoral Royce, whose response to every problem is a knife to the throat.

Review: "The Republic of Thieves" by Scott Lynch

We waited quite a while for Scott Lynch's "The Republic of Thieves" ($28, Del Rey), but the wait was definitely worth it.

After being blown away by Lynch's debut novel, "The Lies of Locke Lamora," I was a bit disappointed in the follow-up, "Red Seas Under Red Skies," but the third installment in the tales of Locke Lamora is the equal of the debut.

As the story opens, Locke lies on his deathbed, having been poisoned while his loyal friend Jean Tannen makes ever attempt to save him. Jean has brought a string of physicians and charlatans through the door in a desperate attempt to cure his friend, but they've all delivered the same news -- Locke is going to die.

It's just a matter of days, or possibly even hours, when salvation comes from a very unlikely source -- the Bondsmagi of Karthain. Jean and Locke are visited by Archedama Patience, who tells them she can remove the poison from Locke's body in return for their service. Locke is understandably reluctant considering his past experience with the Bondsmagi, but Jean convinces him he has nothing to lose.

Review: "Mistborn: The Final Empire" by Brandon Sanderson

Brandon Sanderson’s “Mistborn: The Final Empire” ($7.99, Tor) may have spent a record amount of time on my to-read pile. The hardcover got shuffled around for at least a year or so, and when the paperback came out, I added it to the pile as well, where it spent quite a bit of time. I never seemed to get around to it, though.

After enjoying what Sanderson did with the conclusion of Robert Jordan’s Wheel of Time, I thought it was time to give some of his works a try. I looked at “The Way of Kings,” but I wasn’t really ready to start another monster epic fantasy series that might take up a couple more decades of my life. So I returned to “Mistborn,” which had always seemed to have something that interested me, but never seemed to make its way off the pile.

I’m sorry I waited so long.

Review: "Dodger" by Terry Pratchett

In “Dodger” ($17.99, HarperCollins), Terry Pratchett does something that he’s rarely managed. He infuses a non-Discworld book with the same kind of fun and whimsy found in his long-running series.

“Dodger,” an historical novel of sorts, pays tribute to Victorian-era London, as well as one of its most famous authors, Charles Dickens. Dodger is a 17-year-old street kid who makes a living as a tosher, someone who goes into the sewers to try to salvage a living from coins and other items lost down the drains. He also has a knack for having valuable things land in his hands, though he would, of course, never stoop the thievery.

His life changes one stormy night when he comes upon a young girl who jumps out of a coach and flees from a couple of large men. Dodger dives right into the fray, delivering a good whipping to the thugs and saving the girl, who turns out to be much more than the boy ever expected.

Review: "Heir of Novron" by Michael J. Sullivan

When I began “Heir of Novron” ($14.99, Orbit), the final volume of Michael J. Sullivan’s Riyria Revelations more than a month ago, I expected to have a review up in about a week. Life, though, often intervenes. Let it be known that the delay is no fault of the author, who has delivered another rousing adventure tale to end this enjoyable series.

Treachery is the name of the game in the first book, “Wintertide.” Princess Arista of Melengar travels to Aquesta, the seat of the new empire, in an attempt to free the Nationalist leader Degan Gaunt, also believed to be the legendary Heir of Novron, from his imprisonment and impending execution. Instead, she ends up as part of the entertainment at the upcoming Wintertide celebration, to be executed as the Witch of Melengar alongside Gaunt. The empress Modina, really a village girl named Thrace that church officials have set up as a puppet leader, is also to be married to a top church official. An accident is sure to follow the brief wedding. But the empress is more aware than they think and may have some surprises up her sleeve.

Review: "Theft of Swords" by Michael J. Sullivan

“Theft of Swords” ($14.99, Orbit) collects the first two of Michael J. Sullivan’s Riyria Revelations series. Five of the six books, which were written for Sullivan’s dyslexic daughter and his own enjoyment, were published through independent and small presses before being picked up by Orbit, which released the books as a trilogy featuring two each.

In “The Crown Conspiracy,” the first of the two books collected in “Theft of Swords,” we meet our heroes, a pair of dashing and likeable rogues by the names of Royce Melborn and Hadrian Blackwater. We meet them in a most interesting scene that immediately lets the reader in on the kind of heroes they are. Highwaymen attempt to hold them up and, of course, fail, but the two thieves, who call themselves the Riyria, leave their would-be attackers a bit red-faced with some tips about how to do it better next time. It’s a great scene that instantly endears the reader to the duo.

Review: "Red Seas Under Red Skies" by Scott Lynch

I was very impressed with Scott Lynch's debut "The Lies of Locke Lamora," which I read a few weeks ago and eager to jump into the second volume, "Red Seas Under Red Skies" ($23, Bantam Spectra).

Some time has passed since Locke and partner in crime Jean Tannen fled Camorr after the events of the first book, and their relationship has, at times, been strained in those years. The book opens with a huge hook, the ever-loyal Jean seemingly betraying Locke, which makes the reader wonder what might have brought them to that pass. It takes about 500 pages to find out, and that's one of the weaknesses of this book compared to "The Lies of Locke Lamora."

Like the first book, "Red Seas Under Red Skies" takes some surprising turns and leaves the reader wondering how Locke and Jean will pull of their capers and what's going to go wrong next. The two have fled to Tal Verrar, gotten things back together and are working on a scheme to rob the Sinspire, a high-stakes gambling house for the very wealthy. They're nearing the completion of the two-year plan when they get a threatening message from the Bondsmagi of Karthain, after the pair for injuries inflicted on one of their own in Camorr. Then, Locke and Jean begin to encounter assassins after them for some unknown reason and get drawn into a scheme involving the Archon, who hopes to essentially become a dictator.

And there's where the story begins to break down. It seems that Lynch has woven one too many threads into "Red Seas Under Red Skies." With "The Lies of Locke Lamora," the action began early and didn't let up. In this book, there's a huge lull. The Sinspire scheme of the beginning is intriguing, though not shaping up to be as interesting as the first book. Then there's the encounter with the Archon and a lot of perhaps necessary, but dull space as they dance around with the Archon, Sinspire owner Requin and train to pass themselves off as seamen.

Once they're aboard the pirate ship that they end up on, things pick up again, but ultimately it doesn't all mesh together the way the multiple storylines in "The Lies of Locke Lamora" did. It feels almost as if Lynch got lost somewhere in the middle and lost sight of where the book was going, then zipped it back up at the end.

The characterization is still just as strong as the first book. This one is loaded with colorful players, and we see a lot of development with Locke and Jean. For me, Jean really eclipses Locke and emerges as the hero in this book. There are also a lot of secondary characters here that I'd like to read more about, so Lynch has left himself some possibilities for future volumes.
"Red Seas Under Red Skies" is certainly still an enjoyable book despite the lull in the middle. When things are clicking it's great fun, and it ends with an incredible flurry of action and a few central questions to carry forward. It's definitely worth a read for those who enjoyed "The Lies of Locke Lamora."

Review: "The Lies of Locke Lamora" by Scott Lynch

I strive to never judge a book by its cover, but sometimes a good cover helps. Take Scott Lynch's "The Lies of Locke Lamora" ($6.99, Bantam Spectra). It first landed on my desk in hardcover last year with an artsy deep purple and gray cover, and I thought it sounded interesting, but never got around to picking it up.

The paperback version, with a much more interesting cover, arrived a couple of weeks ago, and reminded me that the book had interested me originally. I picked it up this time, and was very sorry that I hadn't read it a year ago. It is, perhaps, one of the best debut novels that I've ever read.

Locke Lamora is an orphan in the city of Camorr who escapes slavery following a plague outbreak by sneaking into a group of children purchased by a gang leader known as the Thiefmaker. Locke turns out to be a little more than bargained for, and as a last resort, the Thiefmaker sells him to Father Chains, the supposedly eyeless priest of Perelandro.

Under Chains' tutelage, Locke grows up to be the leader of his own gang of thieves, quietly and happily breaking the doctrine known as the Secret Peace between the thieves and the nobility and taking the upper class of Camorr for thousands. But Locke's happy existence is about to be turned upside down.

Part "Oliver Twist," part swashbuckling fantasy and part caper, the first half of this book is amazing fun. The roguish Locke and his band of merry men (yes, there's some Robin Hood in there as well) are charming to spend time with and will amaze with their ability to pull off complex heists. Then, around the midpoint of the book, Lynch delivers a hard punch in the gut, and the book becomes much darker and much more personal. The final 300 pages are almost like a different book than the first 400, and both are powerful stories in different ways.

Lynch also takes chances in the delivery of the story, relying on trips to the past to flesh out the action in the present. That could be a fatal flaw, but the author handles it deftly, making the flashbacks as immediate as the current action and always relevant to what's going on. They serve the dual purpose of offering insight on Locke's past as well as clues to his current actions.

Another impressive point of this book is the world that Lynch has created. While it would have worked in the standard medieval fantasy milieu, Lynch has built a well-developed world for Locke Lamora that is part Venice, part alien landscape and holds plenty of mysteries to be explored.

And, if you still need one more reason to read this book now, consider one of the best gang names ever - the Gentleman Bastards.

Review: "The Thief Lord" by Cornelia Funke

Over the past couple of years, I think I've seen the words "the next `Harry Potter'" hundreds of times. The phrase is used so often that it's become a cliché.

Still, I've read most of the books that make that claim, and while some were very good reads, none really came close to living up to the billing. I expected a similar reaction to Cornelia Funke's "The Thief Lord" ($16.95, The Chicken House/Scholastic Inc.).

I was surprised to find that, while reading this book, I did think of the boy wizard. "The Thief Lord" captures that same spirit of adventure and sense of wonder that I found in the first "Potter" novel.

After their mother's death, Prosper, 12, and Bo, 5, flee their native Hamburg, Germany, for Venice - a city their mother has often described to them as a magical place. The orphans are running from their aunt and uncle, the totally unlikeable Hartliebs, who only want to adopt Bo and want to send Prosper away to boarding school. ("We'll get Bo a dog and see just how quickly he forgets his brother," snips Esther Hartlieb, when asked about separating the siblings.)

Once in Venice, though, the young brothers have to find a way to support themselves. They're taken in by a group of orphans that live in an abandoned movie theater and are led by Scipio, who calls himself "The Thief Lord." While Prosper has some concerns about Scipio's nefarious activities, their friend has taken care of them well. He breaks into some of the richest houses in town, and they fence the goods to a less-than-reputable merchant.

But that's about to change. The Thief Lord has just been offered a job that will allow all of them to give up thievery.

When the Hartliebs track the brothers to Venice, they hire a detective to find the children. In the course of his investigation, he uncovers a secret that suggests Scipio's exploits are not quite as daring and his life is not quite as adventurous as he claims. This drives a wedge between the other orphans and their one-time leader, but when they attempt the heist without Scipio, they get more than they bargained for - and all the adventure they'd ever want.

While "The Thief Lord" is - at its heart - a fantasy, it's not the kind of witches and wizards fantasy of the "Potter" series. In truth, aside from the unpleasant aunt and uncle, it bears little resemblance to J.K. Rowling's books. It's actually more akin to Dickens.

In spirit, it's a blend of "Oliver Twist" and "Harry Potter," with a dash of "Something Wicked This Way Comes" thrown in for good measure.

For parents who are worried that the book may glorify theft, it's no worse than Dickens' classic. As we read of Scipio's supposed exploits in the beginning, perhaps it does a bit. But as the story unfolds, the children in the tale begin to understand that dishonesty doesn't pay. But Funke isn't heavy-handed with the moral of the story, either.

"The Thief Lord" is one of those rare books that can take a child on a rollicking good adventure or take an adult back to the days when he longed for that same adventure. Just this once, perhaps, dubbing it "the next Harry Potter" isn't overkill.

Review: "Stalking Darkness" by Lynn Flewelling

There's nothing like discovering a good series when a couple of the books are already out. The day I finished "Luck in the Shadows," I went right out in search of "Stalking Darkness," and I was able to dive right back into the story.

And it was definitely worth jumping right back into. Alec and Seregil hardly get a rest when their first adventure is over before another crisis threatens the world. As war brews, an evil artifact is stolen from the Oreska House. In the midst of this Alec is learning the truth of his heritage.

While good old-fashioned swashbuckling and strong imagery powered the first installment of this series, "Stalking Darkness" focuses more on character. Flewelling builds on the relationships between Alec, Seregil, Nysander and Micum and Beka Cavish. When this story ends, no character is left unchanged. She even makes the despicable Thero seem almost sympathetic.

Another thing I like about this book is Flewelling's willingness to take chances. One in particular will likely make more than a few readers uncomfortable, and from some of the comments I've read, it may even turn some people off the series completely. That's a real shame. Other readers have taken it in stride though, and some even find it refreshing. All I know is that I thoroughly enjoyed this book, and I can't wait to dig into "Traitor's Moon."

This series is shaping up as one that's worth checking out.

Review: "Luck in the Shadows" by Lynn Flewelling

Most readers and writers now are looking for fantasy with something a little different -- fantasy that avoids quite a few of the things that the foundation of the genre is built on.

That's all well and good, but every now and then you just need one of those books with a dashing, roguish hero helping a mysterious magician defeat an absolute evil. That's exactly what Lynn Flewelling delivers in "Luck in the Shadows".

Alec of Kerry is wrongly imprisoned along with our dashing rogue, Seregil, who frees him and begins a grand adventure. Alec, a farmboy, is thrown into worlds he never new existed when he becomes Seregil's partner in crime and society and a Watcher for the wizard Nysander. When Seregil pockets an evil artifact, he enmeshes the pair, along with Nysander and Micum Cavish in someone's sinister plot to awaken an ancient evil. It's up to Nysander and his Watchers to stop that from happening.

I know. Sounds like a pretty basic fantasy plotline, and it is, but it's pulled off masterfully with wonderful language and striking descriptions. Flewelling's eye for detail puts you in the room as Nysander struggles to lift a curse and puts you alongside Alec on his first excursion as a thief.

This book is one that's hard to put down, especially if you're a fan of traditional fantasy.

But it's not only for those who like the more standard approach, either. Just because the novel doesn't "break the mold," doesn't mean there aren't some interesting twists. There are plenty -- but I'm not going to give them away here. You'll just have to read the book.