Showing posts with label Zombies. Show all posts
Showing posts with label Zombies. Show all posts

Wednesday, April 03, 2019

Review: "Son of a Liche" by J. Zachary Pike

Disgraced hero Gorm Ingerson and his dysfunctional party are outlaws, but they may also be the only hope against an army of the undead in J. Zachary Pike’s “Son of a Liche” ($5.99, Gnomish Press).

Caught in a set up at the end of the previous book, “Orconomics,” Gorm and his band are hiding from the law, but there are bigger threats than assassins’ contracts and the rewards plastered everywhere on badly-drawn posters.

The heroes follow the trail of the Guz’Varda tribe of orcs to try to make amends for the disastrous consequences of their last quest. But the Guz’Varda have joined the Red Horde, a band of shadowkin set on returning to the old ways of violence and pillaging. At the same time, the necromancer Detarr Ur’Mayan (who happens to be the father of the band’s noctomancer, Jynn) has raised an army of the undead and is marching across the kingdoms, aggressively recruiting on the way.

The outlaws may have the secret to stopping both threats, but they’re not going to make any friends among the world’s powers that be by doing it.

Wednesday, August 23, 2017

Review: "Faithless" by Graham Austin-King

Normally I wait until finalists in the Self-Published Fantasy Blog Off have been announced before I start reading, but Graham Austin-King’s “Faithless” managed to catch my attention. I now have an early favorite.

Raised on a farm, Wynn finds himself sold into service to the church of the Forgefather after a drought ruins his family’s fortunes. But the church is a broken thing. Their god has abandoned them, and the last remaining remnants of the faith hide in their temple hoping for a miracle and his return.

Wynn soon learns that “service to the church” actually means backbreaking work in the mines of Aspiration, below the temple. It’s a grimy place, at least the part Wynn experiences, where workers often have to defend their finds from other crews and are expected to make their monthly tally or face the lash. Though the church tries to provide hope that the residents of Aspiration can rise to Novice and enter the temple, only a very lucky few actually pass the test, but Wynn may get that opportunity.

Kharios is one of those lucky few, but discovers that life in the temple, while better than in Aspiration, is certainly not much easier. He’s chosen by a surly but powerful priest named Ossan, who drives his novices hard and has a habit of bringing them to his bed. Kharios will have to make some unpleasant choices if he is to move up, but Ossan seems impossible to escape.

Wednesday, March 09, 2016

Review: "The Walking Dead: Compendium Two"

It took me a while to get through “The Walking Dead: Compendium Two” ($59.99, Image Comics) because I put it on pause for a while, debating whether I wanted to go beyond what I’d seen on the television version.

As I mentioned in my review of the first volume, reading through this is something of a different experience for me. Usually, I’m very familiar with the literary basis before I watch the film adaptation, but my introduction to The Walking Dead came via the AMC show.

Adding to that is the fact that I haven’t had cable in a number of years, so I’m running a season behind everyone else on the TV show. So I stopped at the pivotal moment in Alexandria that ended the last season. Ultimately, I decided to push on, and I’m glad I did because some of my friends who are current with the TV show would have spoiled a big plot point for me if I hadn’t.

Friday, January 29, 2016

Review: "Monster Hunter Vendetta" by Larry Correia

After facing down the end of the world at the hands of some Lovecraftian aliens, Owen Pitt has settled into a more normal life in Larry Correia’s “Monster Hunter Vendetta” ($7.99, Baen).

That is, if a guy that makes his living killing monsters that most of the world doesn’t think exist can have a normal life.

He’s engaged to monster-hunting partner Julie Shackleford and making a lot of money for Monster Hunter International doing what he does best. He thinks the threat of the Old Ones is behind him, until an assignment in Mexico goes sideways.

While resting after a successful hunt, Owen is attacked in his hotel room by a seemingly unbeatable necromancer. When he escapes, the wizard sends hordes of zombies at the hotel, resulting in an ugly incident and Owen’s arrest.

He soon discovers that the necromancer is working for the Old Ones, and that he has a connection to MHI. Owen must figure out who he is and how to stop him before he brings eternal darkness to the world.

Wednesday, January 13, 2016

Review: "The Walking Dead: Compendium One"

I received “The Walking Dead: Compendium One” as a Christmas gift, and mowed through it thanks to an unfortunate cold that kept me laid up during the New Year holiday weekend.

It was a very interesting experience for me, backwards from the usual. In most cases, I’m very familiar with the source material before I go into TV and movie adaptations. This time, I had about five seasons of the TV show under my belt without having read the comics.

SPOILER ALERT: Before I go any further, I’ll tell you that if you haven’t read the comics or watched the first few seasons of the show and plan to, you may want to stop here. I’ll be discussing the similarities and divergences between the two, and you may learn some things you don’t want to know.

Now that’s out of the way, I’ll start by saying that I was a little surprised at how very different the two are. Though they follow the same basic story arc, so much has been changed. I wondered constantly while reading this whether I would have the same appreciation for the show if I had read it before or if I would have been angry about some of the changes.

Wednesday, August 19, 2015

Review: "Monster Hunter International" by Larry Correia

I’ve got a friend who has been trying to get me to pick up Larry Correia’s “Monster Hunter International” ($7.99, Baen) for a while now. Looking at the description, it didn’t seem like the kind of thing I’d like. Boy, was I wrong.

Correia had me from the fantastic first line of the book: “On an otherwise ordinary Tuesday evening, I had the chance to live the American dream. I was able to throw my incompetent jackass of a boss from a fourteenth story window.”

As it turns out, the incompetent jackass in question was a werewolf, and his encounter with the beast earns Owen Pitt, Correia’s main character, an interesting offer.

Owen is a big guy with a penchant for violence. Unable to live up to his war hero father, Owen took up illegal pit fighting to make ends meet until an incident in the ring caused him to do some soul-searching. In response, he took the most boring and plain job that he could think of – accounting. He didn’t count on a werewolf boss, though.

Monday, October 06, 2014

Review: "Even White Trash Zombies Get the Blues," by Diana Rowland

I was looking for a quick, fun read for a busy week when I remembered how much I enjoyed Diana Rowland’s first White Trash Zombie book. It just so happened that I had the second, “Even White Trash Zombies Get the Blues” ($7.99, DAW) loaded on my Nook, and my decision was made.

Becoming a zombie has been good for Angel Crawford. Once a drug addict and on probation for possession of a stolen car, she’s turned her life around. She’s straightened herself out, found a steady job that she enjoys at the coroner’s office – which has the added benefit of giving her access to the brains she needs to survive – and is even dating a police officer.

But as with most things in Angel’s life, that peaceful existence can’t last for long. A mysterious death at a local research lab rocks her world after the body that she’s delivering to the morgue is stolen from her at gunpoint. The event puts Angel in the headlines and pulls her deeper into the complicated politics of the zombie world.

Tuesday, April 09, 2013

Review: "My Life as a White Trash Zombie," by Diana Rowland

I probably would not have picked up Diana Rowland’s “My Life as a White Trash Zombie” ($7.99, DAW) if not for a recommendation from one of my other recent favorite discoveries, Kevin Hearne. It didn’t seem like something that would normally appeal to me, but I’m glad I gave it a shot, as it was great fun.

Angel Crawford comes from a seriously broken home. Her father gave up her mentally ill mother to protect her, while he descended into alcoholism and she became a junkie. When Angel wakes up in the hospital, she has no idea what has happened, but begins to piece it together. She was found naked on the side of the road by police, with a cocktail of drugs in her system. Now, though, she seems to have a mysterious benefactor. Before she leaves the hospital, she gets a note informing her that she now has a job as a van driver for the coroner’s office, and that if she doesn’t want to go to jail, she has to keep it for 30 days. Along with the note are bottles of a strange liquid that she’s instructed to drink.

Saturday, November 10, 2012

Review: "Apocalypse Cow" by Michael Logan


While I enjoyed the book, I find myself a little disappointed with Michael Logan’s magnificently titled “Apocalypse Cow” (Doubleday).

Maybe my expectations were too high, but as the winner of an award named after Terry Pratchett and a quote saying that it made him snort with laughter, I expected something funnier.

“Apocalypse Cow” offers a different take on the zombie apocalypse. It throws together abattoir worker Terry Borders, bumbling journalist Lesley McBrien and teenager Geldof Peters. All of the characters bring their own baggage. Terry has some stress issues with his job and believes that his bad luck with women comes from a stench of death that hangs around him from his work. Geldof is the son of a domineering and off-kilter activist who has forced him to follow her lifestyle. Lesley is the daughter of a famous, award-winning journalist, but so far her career has been empty.

Wednesday, October 24, 2012

Review: "Blue Plague: The Fall" by Thomas A. Watson


I always dread when someone asks me to review a self-published book, and in most cases, I decline. It’s nothing against that particular work. It’s just the personal history I have with them as a former “professional” reviewer that used to get several a week. I’m sure there are fantastic self-pubbed books out there  – better than anything coming out of the majors – but the vast majority that crossed my desk were horrible.

So, I took a deep breath before diving into Thomas Watson’s “Blue Plague: The Fall” ($2.99 ebook, $15.99 paperback).

The book focuses on an interesting family, actually two families who have melded into one on a communal farm in northern Louisiana. They spend most of their extra time and money making their farm self-sufficient, training and stocking up on weapons, supplies and other things that they might need in case of some kind of government shutdown – or, perhaps, the zombie apocalypse. The second is probably something the family would have joked about until a virus that begins in the Congo makes its way around the world and to the United States via a few aid volunteers who escape the country shortly before it is shut down.

Monday, September 10, 2012

Review: "Devil Said Bang," by Richard Kadrey

In Richard Kadrey’s “Devil Said Bang” ($24.99, Harper), James Stark, aka Sandman Slim, is trapped in Hell again. This time, though, he’s running the place.

Being Lucifer, though, isn’t all it’s cracked up to be. In fact, it’s like being the boss of a lot of things. Stark finds himself dealing with budget meetings and the daily minutiae of keeping things running. Though he has Lucifer’s magical armor that protects him from most attacks, he hasn’t come into the full power of his position yet, and splits his time looking for the secrets of Samael’s power and plotting his escape.

What he really wants is to go home. He wants to see his girlfriend Candy again, and he wants to return to his normal life on Earth now that his vendetta against long-time rival Mason is settled. But Hell needs a ruler.

Friday, May 29, 2009

Review: "Black Blood" by John Meaney


John Meaney returns to his intriguing world in "Black Blood" ($24, Spectra), the second in his series of books about police detective Donal Riordan.

As the book starts, Riordan has become a zombie. Not the classic, shambling, brain-eating zombie you’re probably thinking of, but a person resurrected by technological means. The big problem for Riordan and others considered nonhumans in Meaney’s world is a group called the Unity Party, which is pushing to strip their freedoms and possessions. The group is gaining power and influence daily, and also happens to have a number of ties to a group Riordan and his officers call the Black Circle -- a group directly responsible for the death of Riordan’s boss and lover Laura Steele, and his own.

Riordan’s life is in chaos. He has inherited all of the wealth of Laura, though that’s in jeopardy if the Unity Party has its way. His police unit has been put under the command of an outsider and the officers are being sent on secret missions to investigate mysterious white wolves appearing around the city and some new blue telephones which are being installed all over town with seemingly miraculous changes in the people who use them.

In "Black Blood" we get more glimpses of the fascinating world that Meaney has created -- part science fiction, part horror, part fantasy. Uncovering the strange workings of this world is one of the more entertaining parts of the story.

The civil rights thread that was an undercurrent in the first novel, "Bone Song," takes a much more prominent role and really pushes the action in this book. The efforts of the Unity Party bring a rapid change in the social structure in Tristopolis and makes Riordan’s job that much more difficult.

In the second book of the series, Meaney continues to set himself apart from the glut of supernatural detective stories out there. I’ll look forward to more visits to Tristopolis.

Tuesday, May 19, 2009

Review: "Bone Song" by John Meaney

John Meaney creates an intriguing world for his new series, beginning with "Bone Song" ($6.99, Spectra).

It’s a world where bones have great power. The energy to keep the city of Tristopolis running is generated from them, and the bones of artists have a seductive power all their own. Great performers are disappearing all over the world, with the attacks often happening in front of ensorcelled audiences. The bodies then mysteriously disappear.

Tristopolis detective Donal Riordan has been charged with protecting a famous opera diva who is visiting the city and suspected to be the next target. When things go awry, Riordan finds himself thrown into a new role as part of a special task force filled with interesting characters assigned to take down the suspected conspiracy behind the disappearances.

In "Bone Song," Meaney melds science fiction, fantasy, horror and police procedural to produce a book that brings something new and interesting to the overloaded supernatural detective story field. While there’s not a real weakness in the book, the true star is the world itself, powered by the necroflux created from human remains and filled with machines operated by often-enslaved wraiths. At times, it seems a bit like horror told with a hard science fiction style. There is, of course, an undercurrent here that often runs through these kinds of books about equality and rights for all beings, but it takes a back seat to the primary story.

The world isn’t the only attraction, though. Meaney builds a cast of interesting characters that seems to avoid many of the cliches of the genre.

Overall, "Bone Song" is a promising start to the series which continues with "Black Blood," already out in hardcover from Spectra. It will be interesting to see how things develop and if Meaney can keep it as compelling as the first installment.

Sunday, October 26, 2003

Review: "Dead on My Feet" by Wm. Mark Simmons

Having grown up in this area, I never suspected there'd be a vampire presence here, but now the place seems to be overrun with them.

Charlaine Harris planted them here in her Southern Vampire series, and now local author Wm. Mark Simmons brings his half-vamp character Chris Cséjthe to town in "Dead on My Feet" ($24, Baen Books).

Simmons began the story of Cséjthe (pronounced Chaytay) in 1996's "One Foot in the Grave." Even in a world of vampires and werewolves, Cséjthe is an oddity. He's neither living nor dead, a half-vampire. Simmons' variety of vampirism is a virus with two parts. Cséjthe got one, but not the other, which makes him of great scientific interest to all of the vampire clans (which seem more like Mafia families).

Cséjthe just wants to be left alone with his werewolf girlfriend Lupé (and don't forget the ghost of his dead wife), so he packs up and moves to a most unlikely place. You guessed it - right here in Monroe. He's provided a new identity - Sam Haim - and opens a detective agency.

When he's hired to check out a local psychic, he expects a quick debunking. Instead, he gets a dire warning. The story that follows is a wild ride that includes a killer virus, a global conspiracy and an army of long-dead Civil War soldiers. Oh, and did I mention that the vampire clans finally catch up to him?

Simmons says his books are not your typical vampire novels, and he's not kidding. There are no overwrought, Goth-poet, tortured souls here (OK, maybe a couple, but they're bearable). Instead his characters are more like real folks with real problems on top of their supernatural woes.

Simmons has never met a pun he didn't like - a trait that he's quick to cop to - but in these novels, as well as in his "Dreamland Chronicles," they usually seem to work. You'll hit a groaner every now and then, but for the most part, the puns enhance the humor.

Part of the fun of reading Simmons' books is picking up on all the references. Sprinkled throughout are allusions to movies, music and all things pop culture. You'll get some and miss some, but there should be a few for everyone.

"Dead on My Feet" and "One Foot in the Grave" are a good mix, blending plenty of light and funny scenes with some dark and downright menacing moments. It also helps that the first book features one of my favorite lines from a vampire novel. Cséjthe is practically forced to attend a support group in the vampire enclave to help him deal with the changes (yes, they have support groups). When he's asked to speak, he stands up and says, "I suck, therefore I am."

Unfortunately, "One Foot in the Grave" is out of stock in most places right now, but Simmons hopes it will be back on shelves soon. Until then, you can still enjoy "Dead on My Feet" as a stand-alone and catch up on the backstory later. It's a lot of fun, and you might find a few things you recognize.

Sunday, October 19, 2003

Interview: Mark Simmons


Mark Simmons leads a secret life. He has quite a few skeletons (mostly of Civil War soldiers) in his closet. He hangs around with werewolves and voodoo types. He has bloodthirsty friends. Surprisingly, he wants everyone to know about it.

Simmons, who has been general manager and program director at public radio station KEDM for about 10 years, can not only be found on the airwaves, but on bookshelves as well. His latest novel, "Dead On My Feet," was released by Baen Books earlier this year and brings his half-vampire character Chris Cséjthe home to Monroe.

Simmons, tired of seeing every story set in New York or Los Angeles, wanted to offer a different view, but he admits, initially, to having second thoughts about bringing vampire clans and ghouls of all sorts to town.

"Whenever you set something in familiar territory, it helps ground the story," he said. "But there's also the external aspect of people wanting to think that you mean something or you're saying something about the real place. Whenever an author writes something, there are always friends and acquaintances who try to figure out if they're in the book."

Simmons assures local folks that none of them appear in the book, though the name of one prominent local restaurateur is mentioned. He admits to including some friends, but no one from our neck of the woods.

Then there are some of the events of the book, which include a white supremacist group - from up north, no less - in a battle against long-dead Civil War soldiers (Union and Confederate alike) who are protecting their country, and a corporation with a killer virus bent on world domination. Those were other reasons he chose not to use real places and faces.

"Sometimes people will misunderstand things you're trying to do, especially humor," Simmons said. "I was thinking, if somebody skims this, they're going to think, `well, here comes another Yankee, writing another story to make fun of us.' If I made fun of anything, I did make fun of the fact that our life here is kind of quiet."

That quiet life is part of what initially drew Simmons to Monroe. He worked at radio stations in southeastern Kansas and the Kansas City area in Missouri before turning to public radio. He had a choice between accepting a position as operations manager and program director at KEDM or one in Bridgeport, Conn.

"It was a tough decision," he said. "But it was so beautiful down here, and what impressed me was the strength of the arts."

A year after joining KEDM, Simmons also took on the duties of general manager, and he's now an adjunct instructor in mass communications at the University of Louisiana at Monroe. All of which leaves little time for writing, but he still manages to churn out books, if at a bit slower pace.

Simmons thinks one of the things that attracts readers to his books is the strange blend of genres. His "Dreamland Chronicles" trilogy layers a fantasy tale on a hard science fiction framework, while the Cséjthe books blend fantasy and horror with a touch of science fiction thrown in. But all of the books have a common element - humor.

"For balancing humor and horror, I admire Hitchcock for what he was able to do," Simmons said. "He can make you believe in some scary situations, but still make you laugh."

Simmons said he likes to think that his books achieve that same kind of balance. He wants them to be funny, but he also wants readers to take the story seriously. His publisher for the Cséjthe books thinks he's achieved that goal. Toni Weisskopf, executive editor of Baen Books, said several people had recommended Simmons' work to them before they read "One Foot in the Grave."

"Once we read it, we enjoyed Mark's storytelling and his wry, allusive sense of humor," Weisskopf said. "Mark's hero has to walk the fine line between what's wrong and right, and it's rare these days to have an author who knows where the line is drawn, let alone can deal with moral decisions with such a light touch. Simmons manages it with flair."

While the books are funny, Simmons doesn't want people to get the idea that they are for kids. They draw on legends and history, which are often bloody. He said he'd classify them PG-13 with the movie ratings system.

"There are worse things you'll see on TV on most given nights, but it's not `Bunnicula' or `The Monster Patrol,'" he said. "There is violence and there are bad things that happen to some of the people in these books. The most horrific stuff is actual history."

Simmons, though he says he's not a fan of vampire stories himself, said he does try to stick with the conventions of the genre. He began writing the stories as a way to have a little fun with "the genre that will not stay dead," but he also has respect for the conventions. So sunlight, holy symbols, garlic, all of the usual suspects play a big role in his books.

"If it's convention, it's like being on the road and staying between the lines," he said. "But it's seeing how far you can go and still stay between the lines."

That, he says, earns him some fans from the community of vampire followers. Much like his poking fun at fantasy and science fiction have earned him fans among those genres.

"I'm true to the rules, and yet, we all have a little bit of a `Mystery Science Theater 3000' attitude after a while," he said. "How many times can we go back to the coffin and tell the same story over again without it just being old?"

Sunday, December 22, 2002

Review: "Night Watch," by Terry Pratchett

In "Night Watch," Terry Pratchett treats fans to a fun trip into the history of the city of Ankh-Morpork through the eyes of everyone's favorite City Watch captain Samuel Vimes.

When Vimes pursues a criminal named Carcer, accused of killing two coppers, they find themselves locked in a fight atop Unseen University, the school for wizards. As a storm rages around the two combatants, a freak accident sends Vimes through the roof of the school and into darkness.

When he wakes, things are a little strange. He soon finds that he's been transported back in time to his very first days as a copper. He takes on the identity of John Keel, a watchman who took Vimes under his wing in those days. And indeed, Vimes meets the younger version of himself in Lance Constable Samuel Vimes.

The times are turbulent ones for the city of Ankh-Morpork. The current patrician is completely insane, and the man plotting a revolution to take his place isn't much better. The streets are about to erupt in violence, and the results are one of the last things Vimes wants to relive. Unfortunately, it appears he's going to have to, despite his best efforts to change history.

What's worse is that Vimes discovers Carcer has come through with him, and he has a plan to change history himself - by killing one of Vimes' selves.

If my count is correct, "Night Watch" is Pratchett's 28th novel set on his whimsical Discworld, and in all those books, neither the place nor the characters have lost their charm.

The story itself is perhaps not as funny as some of the previous tales of the City Watch, but there are still plenty of laugh-out-loud funny moments.

The real fun of this installment is getting a chance to see how things were before Vetinari took over as patrician and before Vimes overhauled the City Watch. Readers caught glimpses of it in Pratchett's first novels about Vimes, but never knew the whole story.

In "Night Watch," readers get to see younger versions of watchmen Fred Colon and Nobby Nobbs, a Vimes who isn't nearly as savvy and cunning as the current version, watchman Reginald Shoe - before the unfortunate accident that made him a zombie - and a young, but skilled assassin named Havelock Vetinari. Oh, and there's also the birth of a legend, Ankh-Morpork's greatest salesman, "Cut Me Own Throat" Dibbler, who we find out actually got his catch line from Vimes - at least in this timeline.

Time travel stories can be tricky when writers let themselves get bogged down in the "rules." Fortunately, Pratchett throws all that nonsense out the window and just has fun with it. Of course, that's been Pratchett's trademark all along. He approaches everything about the Discworld with an anything goes attitude, and perhaps that's why the series has lasted so long without becoming stale.