Review: "Harry Potter and the Sorcerer's Stone" by J.K. Rowling

I was a little reluctant to pick this book up at first. It was a "children's" book that was wildly popular, and I was having visions of Pokemon, Power Rangers and countless other "wildly popular" children's fads.

Then came a new wrinkle. People began to protest the content of the book, and that convinced me to buy this book just to see what the big deal was. I would like to offer those who protested the books a sincere thanks from the bottom of my heart. Without them, I probably never would have discovered the world of a student wizard named Harry Potter.

It's been a very long time since I've been as excited about a series of books as I am about these "children's" books. I know a lot of naysayers will scoff, just like I did at first, but these are quite simply wonderful books. Rowling is able to do something with these books that far too many "adult" writers can't do. She was able to keep me on the edge of my seat and keep me turning page after page. She builds sympathy and a reader connection with Harry Potter in the first chapter and it only gets deeper through the book and the next two that follow.

You will, however, need one thing to enjoy these books - a childlike sense of wonder. I've always prided myself on being able to tap into that, but if you're stern and serious, you likely won't enjoy this series. Hence, we have people protesting it instead of being happy that their children are reading.

About the protests, all I can say is it's the most ridiculous thing I've ever heard. I didn't find a great deal of violence, and the violence that did occur was mostly "off-screen." As far as the "serious tone of disrespect" goes, the only disrespect I saw was the Dursley's disrespect of Harry. I have a theory about these protesters - I think they saw a little too much of themselves in the Dursleys, and they didn't like what they saw.

Review: "Millennium Rising" by Jane Jensen

With the Millennium upon us, everyone seems ready to cash in on the uncertainty looming ahead. Books and movies have already started hitting the market, and I’m sure there will be a deluge of apocalyptic material in the coming months.

Looking around the world, some people are storing food and water and preparing for nothing short of Armageddon. Others think there will be only a few minor problems with computer systems that are a little behind the times, and life won’t change that much. I tend to fall in the second category, so I’ve avoided most of the hype.

That being the case, there was just something about the description of Jane Jensen’s "Millennium Rising" on the Del Rey Web site that made me send off that e-mail to be a reader-reviewer. One powerful paragraph: "Sacred texts around the world warn of the terrifying signs and wonders that will foretell the end of the world. For thousands of years, the prophets have always proved false. Until now..."

Jensen handles the subject of Armageddon well, tying the Book of Revelation and the prophecies of Nostradamus and a handful of other prophets, all into a neat and tidy conspiracy worthy of the greatest paranoid in the world.

The book begins with a Catholic priest, Father Michele Deauchez, and a reporter for the New York Times, Simon Hill, witnessing what appear to be miracles in the small village of Santa Pelagia, Mexico. Shortly after the event, those that were there begin to step forward and proclaim themselves prophets of God. They begin to prophesy Armageddon, and when their prophecies begin to come true, followers flock to them. Deauchez has other ideas about the "miracles," though, and pretty soon, so does Hill as they set out to find the truth.

I have to say I was a little disappointed when I figured out what was going on early in the book. I was afraid that letting the reader in on the truth so early would take a little of the drama and suspense out of the later parts of the novel. Happily, I was mistaken as the latter half of the book pulled me into the story.

Initially, I had a little trouble swallowing this massive conspiracy theory, but by the end it was seeming more and more plausible.

In fact, the only problem I really had with the book was that it seemed to end too soon with too many unanswered questions. Deauchez, Hill and the prophets Lamba Rinpoche and Will Cougar are left in a very precarious position, and the world is still in chaos. I think the aftermath of the events in this book is a story worth telling as well. Perhaps we’ll see another volume in the future.

As for this book, the reader may have to put aside a few misgivings and accept a few things that are hard to swallow in the early-going, but that patience will be rewarded in the latter half of the book. It’s a good read, especially if you have an interest in prophecy, the coming millennium or conspiracy theories.

Review: "The Haunting of Hill House" by Shirley Jackson

Ahh, now here's a horror classic.

It's been years since I first read this book, but I was inspired to pick it up again after seeing the recent Hollywood butchery of it.

Unlike Hollywood's version which relied on a huge special effects budget and a storyline that at times had nothing to do with the actual book, the terror in "The Haunting of Hill House," doesn't really come from the ghosts of the house. Instead, Jackson does a great job of building a sense of foreboding through the first half of the book, then she jumps into the tortured mind of Eleanor for the grand finale.

Jackson does a much better job than Hollywood of creating a sense of unease. But what else is new? We all know there's no such thing as a movie adaptation that's faithful to the novel, and most of us have come to expect movies of our favorite books to be bad.

I think another imporant thing to mention is the house itself. Jackson's Hill House is not the lavish, gorgeous mansion of the movie. Instead, it's a more fitting place for the story -- an ugly place with wrong angles and austere furnishings.

If you've never read "The Haunting of Hill House," you need to. I'd have to say that it's one of the defining novels of early horror. If you're expecting a print version of the movie, you'll be sadly disappointed. But, by the same token, if you were disappointed with the film, don't let that turn you off of the book. It's worth the read.

Review: "Elminster in Myth Drannor" by Ed Greenwood

Occasionally, a character or writer I particularly liked during my "shared world" days will draw me back into those books. Such is the case with this one.

This is the second book in what appears to be a series by Ed Greenwood on the life of the mage Elminster. I enjoyed the first book "Elminster: The Making of a Mage", several years ago when it first came out, but this one didn't live up to that promise.

In this book Elminster journeys to the land of the elves, where, being human, he runs into the expected problems as he learns their ways and their magic. The book is entertaining enough, but a bit mediocre. It's not particularly good and not particularly bad, just kind of hanging in limbo.

One of the reasons is that, instead of simply telling the story, Greenwood tries to make the story fit with the rules of AD&D. That just doesn't work. Several times during the story, there were terms and references to the game that seemed out of place, and they took me out of the story itself. I find Elminster a fascinating character, as well as some of the elves he encounters. I think this could have been a much richer book if he had thrown the AD&D manual out the window.

This is good for a quick read when you don't really have time to concentrate on a book, and I'm sure fans of Elminster and Greenwood will love it as well. As I said before, it wasn't that bad, it just wasn't that good either.

Review: "Prince of Dogs" by Kate Elliott

The first book of this series, "King's Dragon", was one of the best books I read last year. It was a wonderful start to a promising series.

Prince of Dogs continues that series and does it well, though perhaps not as well as the first book. This book follows Liath, Alain, Sanglant, Fifth Son and all of the characters you came to care about in the first novel as the war with the Eika and the strife within King Henry's own realm continue.

While the backdrops are interesting, they're relatively minor compared to the strife in the lives of each of the characters. Elliot is a master at torturing her characters, which is something I really admire in an author. A writer that can wrench my gut, as Elliot did by throwing Liath back into the clutches of Hugh, is a writer that can keep me reading.

It's not all great, though. At times this book could have benefitted from some editing. This doorstop probably could have been trimmed down to 400-500 pages just by removing padding. At several points during the book, long passages from histories are read, long tales are told by bards, and long philosophical discussions are held. These show the work Elliot has done in crafting her world, which is great, but none of these have any real bearing on the story. Instead, they bogged it down. I have to admit to skimming over most of them after a while and getting on to the story again.

Despite that, this book is still an excellent read. I'm looking forward to the next volume from Elliot.

Review: "Jingo" by Terry Pratchett

On my list of favorite authors Terry Pratchett ranks high. In fact, I'd say he's not far behind Poe and Tolkien.

That said, I've been a little disappointed in his last two offerings, Maskerade, and now Jingo. While both were very good books, neither has really lived up to my expectations from Pratchett.

In Jingo, a new island rises out of the sea, and both Ankh-Morpork and Al-Khali claim it. War threatens and chaos erupts from all sides. A good story, but I think perhaps the story gets lost occasionally in a more slapstick type of comedy than Pratchett's older work.

That's not to say it wasn't funny. There were moments that had me rolling on the floor. But it's just missing something that his earlier books had.

But, at the end of the day Pterry is still, in my opinion, the funniest writer in the business. I just wish it didn't take so long for us to get his books here in the states.

Review: "Path of Daggers" by Robert Jordan

While I absolutely loved the first few books in this series, it's getting a little tiresome for me. This is a great book, and I do like Jordan's writing style, but the length of the series is beginning to drag it down.

For one thing, I read the first book of The Wheel of Time seven or eight years ago, and it's been over two years since I read the last book. Not to mention that they seem to be getting farther and farther apart. There's just so much that I've forgotten from the earlier books, and with Jordan's work, you tend to miss a lot of things if you don't remember the details. There are a lot of people and events in this book that I know I'm supposed to be familiar with, but I just can't seem to place. While I'm sure some people have time to read all of them again every time a new addition comes out, I don't.

The second thing, is that I think the last few books have been stretched a little thin as he tries to pad it to an apparent 12 or 13 book saga. I just feel there's a lot of unnecessary scenes, with very little bearing on the story as a whole.

Finally, with all the sub-plots knotted in this tale, Jordan can only spend scant time on each one in each book. The quick treatment of each sub-plot makes this book seem disjointed, and it left me feeling just a little cheated.

I was glad to see Perrin Aybara return in this book, however. He has been one of my favorite characters from the beginning, and he was all but ignored in the last book. Of course, in this book, Matrim Cauthon is largely ignored - another problem with the convoluted knots Jordan has tied.

I know that after reading this review, a lot of people will think I'm bashing Jordan, and a lot of people will think I don't like his work. That's simply not true. I highly recommend this series, but I don't recommend that you begin it until he finally finishes it. I think it's something you can only appreciate when read all at once, not at yearly (or longer) intervals.

Review: "Diplomacy of Wolves" by Holly Lisle

It's been a while since I checked in with Holly Lisle, but she seems to be doing well. She's got a new world, a new publisher, a new series and even a slightly new approach.

The world is Matrin, and it has been ravaged by sorcery. Magic is now punishable by a gruesome death, but it still thrives in secret. In the depths of their massive keeps, royal families keep bands of Wolves -- magic-users constantly working to improve their house's power and standing.

Kait Galweigh is a diplomat who uncovers a plot against her house, but is unable to stop it. Now, she's on the run and hiding a secret. She possesses a power that means her death if it's discovered, and the time is coming when she must use that power.

I must say, this is probably Lisle's best book to date. It begins as a story of court intrigue and transforms into high adventure. More importantly, it's fun all the way through.

The world of Matrin is well-developed and a little different from the typical fantasy world, featuring some advances not seen in the typical medieval setting. The magic itself is also quite fascinating. The practitioners of the art endure horrific transformations in exchange for the power they wield.

Anyone who is a fan of Lisle's previous works, can certainly see the transformation in her writing. "Diplomacy of Wolves" is more tightly plotted and well-planned than any of her previous works. It's fast-paced, but with a bit of substance as well.

The downside? She falls into one of the biggest traps of fantasy. Lisle interests the reader in the characters and gets him engrossed in the story, then resolves absolutely nothing in the end. The reader is left hanging, and for me, that ruined an otherwise pleasurable read. I maintain that, even in a series, every book should have a conclusion that at least partially satisfies the reader. Had she done that, this would have been an outstanding offering.

It's still a good read and a very solid opening to the series. I highly recommend it -- but I wouldn't start reading it until the others are out.

Review: "Pandora" by Anne Rice

Let me start by saying I love Anne Rice. I was a fan of the witch books, several of her stand-alone novels, and I've greatly enjoyed all the vampire books - until this one.

This book begins with 35 pages of Rice showing us what flowery, beautiful prose she can write. Quite frankly, I don't care. When I read I want a good story. To me, that's the bottom line. But in this book Rice makes the reader wade through 35 pages of purple (or at the very least deep violet) prose that has no real bearing whatsoever on the story. By the time I trudged through this, I was so completely bored with the book, that I'm not sure I can give the rest of it a fair review.

Then when you get to the story itself, it's full of exposition, and written more like a personal note than like a story. It's distracting and aggravating to try to read. This personal memoir style has worked for her on several occasions in the past, but in this one it falls flat.

Perhaps it's time to try a new direction. Only hardcore Anne Rice fans need to bother with this one.

I've been a fan of Rice's for a while now, and I was really looking forward to her newest effort "The Vampire Armand". After reading Pandora, though, I think I'll wait for it in paperback.

Review: "The Last Continent" by Terry Pratchett

I'm not sure if perhaps I'm getting a little bored with Pratchett, or if it was the malaise I was in when I was trying to read this book, but whatever the reason, I just didn't enjoy it as much as I usually enjoy Pratchett.

I'd been anticipating the return of Rincewind, one of my favorites, for a long time, and maybe I was expecting a little too much.

In this volume, Rincewind finds himself stranded on a continent much like our own Australia (Despite Pratchett's protests to the contrary, it is based on the land down under). It's pretty much a standard "goofy character dealing with strange people and customs" story after that.

Sure, I had a chuckle here and there, but for the most part, the humor in this book seemed a little silly. I know, I know, Terry Pratchett has always been a little silly, but in a good way. This book is silly in a Jerry Lewis kind of way, and that's not so good.

I'm ready for Pratchett to write something that makes me laugh like "Guards, Guards" or "Reaper Man" or "Sourcery" or countless others, but with the exception of the holiday novel "Hogfather," which I loved, his recent efforts have been pretty disappointing. Overall, I think this is probably the weakest volume of the Discworld series so far. Hardcore fans will love it, but those with only a passing interest in Pratchett should probably pick up one of his older books instead.

Review: "Bag of Bones" by Stephen King

I have a love/hate relationship with Stephen King. Either I really like his work, or I really hate it. While I count books like It, The Stand and the Dark Tower series among some of my favorites, others like Cujo and Christine hold no interest at all for me.

Bag of Bones thankfully falls into the former category. It's a bit of a new direction for King. While it's a dark piece with plenty of ghosts, the supernatural element really doesn't take center stage until the very end of the book. Until that point it's basically the story of a writer trying to find himself after his wife's death, and his attempt to help a young girl and her child.

Instead of harrassing his characters with the supernatural around every corner, King shows us that the ghosts are not always the real monsters.

I would have to rate this book among King's most well-written, and it has renewed my interest in him after a few groaners like Gerald's Game.

Even if you've been turned off of King in recent years, I think this one might be worth checking out.

Review: "Kar Kalim" by Deborah Christian

It seems that to write fantasy now, you have to write a 12-book saga, or at the very least a trilogy. So, it's refreshing every now and then to find a self-contained one volume tale. Especially one as well-written as this one.

What originally drew me to this book was the fact that I wouldn't have to wait a year to find out what happened next. What kept me reading it was Christian's style and flair for both character and detail.

Inya is a proud sorceress, secure in her superiority over an ambitious young man who comes seeking her training. The would-be apprentice leaves Inya's tower through a dimensional gate, and he returns a changed man, with an army at his back. He strips once-proud Inya of her powers and imprisons her as he plots to take over the world she has protected for years.

The thing I liked about this story is the change that takes place in the main character. At the beginning she's proud and aloof, but when Kar Kalim returns, suddenly she's helpless and scared. Though she clings to as much of her pride as possible, she comes out of the ordeal a changed woman.

It's a well-told, action-packed story, with a very real moral at the heart.

Review: "King's Dragon" by Kate Elliott

This is an intriguing start to a new series.

I bought this book on the recommendation of another writer, Holly Lisle. It proved to be a good recommendation, and a good purchase.

Elliot introduces us to two strong central characters. Alain is a bastard, promised to the church, but given a vision by the Lady of Battles. He's unsure of his heritage and finds that he may be the son of a count or the son of an elven lord and a whore. Liath has spent her whole life running from an unknown enemy, until her father dies and she is sold into slavery to cover his debts. Bought by Hugh, a clergyman who wants her secrets of magic, she is eventually freed to become one of the King's Eagles, elite messengers. Still she spends the entire novel looking over her shoulder, expecting Hugh to appear around every corner, as does the reader.

Her secondary characters are not cardboard cut-outs either. Although we don't get to know them as well as Liath and Alain, King Henry, the bastard prince Sanglant, Liath's friend Hanna, Rosvita and Frater Agius are all well-developed characters the reader can sympathize with. Also, good attention is given to the layout of society and the magical systems of Elliot's world.

This is the first book I've read by Kate Elliot, and overall I was very impressed. I can't wait to read more.

Review: "Something Wicked This Way Comes" by Ray Bradbury

Another trip down memory lane. A while back, I revisited "Farenheit 451" and "The October Country," now I stop at the carnival.

The carnival rolls into a small Illinois town in the dead of night, carrying a dark secret. Two boys, Will Halloway and Jim Nightshade, set out to discover all the secrets of the Cooger and Dark Pandemonium Show and get more than they bargained for. Now they have to dodge Mr. Dark, while trying to save the town from the temptations of the carnival.

Regardless of what Bradbury writes, he does it well. I still say his best works comes when he walks on the dark side, though. A sense of foreboding, a feeling of evil permeates the story. Bradbury is a master at it.

Not only that, but his characterization is top-notch as usual. Everyone knows, or perhaps was, a kid like Will or Jim. As far as the nasty characters go, Bradbury is able to make them dark and fascinating, yet still very believable.

Bottom line: This is one of those books that I think should be required reading for everyone. Bradbury is a master storyteller and this is one of his best.

Review: "A Game of Thrones" by George R.R. Martin

This book boasts that it's "The Fantasy Novel of the Year" in bright red letters on the cover, and the tale, for once, lives up to that boast. Martin delivers a gripping story of power plays, court intrigue and treachery.

This complex tale weaves elements of fantasy, mystery and suspense into a novel that will keep you reading well into the night.

The world of Martin's novel is intriguing in itself. It's a place where summer can last for decades, and winter lasts longer. As the novel opens winter is coming, and with it darkness. But at this point, that's the least the characters have to worry about. Plots to murder and take over the throne of the seven kingdoms abound, taking up most of the characters' thoughts in this first book.

Martin switches back and forth between several key characters, often leaving the characters in a precarious situation for several chapters before returning to them. Normally, a writer who used that technique to build suspense would annoy me, but for some reason, it works for Martin. Probably because there simply is so much going on. This novel is 800 pages long without a dull moment - that's difficult to do.

Another thing I like about this book is the gray area. Everyone on the "good" side is not likeable, and everyone on the "bad" side is not despicable. For example, I absolutely loathed Sansa Stark, who is obviously on the "good" side. I called her the "prissy bitch" for most of the book, and wished her sister Arya would give her a sound thrashing. On the other hand, I found I often liked Tyrion Lannister, obviously one of the "bad" guys.

The only real complaint I have with this book is that not all of the story lines were wrapped up well. Some of the stories lacked closure. I realize Martin is planning a several book series here, but still there should be a little closure. For example, one character is left dangling with a knife at her throat. That's OK for a couple of chapters, but for a year or more until the next volume it's a bit annoying.

Overall, I enjoyed this book immensely. I don't know if I'm ready to call it the "Fantasy Novel of the Year", but I'll definitely say that, in my opinion, it's one of the top two or three.

Review: "Fahrenheit 451" by Ray Bradbury

This is the first installment of the little nostalgia trip I've been on lately.

It's been a long time since I first picked this book up in junior high for a book report, but the years have not changed the impact it has on me.

If anything, this book had a more profound effect on me this time around, because I'm older and can see deeper into it. It's almost chilling when you look around at the world we live in now and compare it to the world of this book. The low price we put on human life and the gradual disappearance of some personal rights play right into the plot of this book, and I know that when I turn on the television, a lot of the programs I see remind me an awful lot of the "family".

Another thing that really brought the similarities home was a discussion I had online with someone about the book while I was re-reading it. The person told me he felt the book was boring and not worth the paper it was printed on. When I asked the person to elaborate, I was told that it needed more action. What this person described as how the book should have been presented was basically like a television show. At first I was amused that the person had completely missed the point, then after some thought it kind of scared me.

Some of the things in this book just sent a chill down my spine that wasn't there the first time around. That's not to say I think we are, or will ever be, in a society like the one Bradbury envisions, but still it's definitely something worth thinking about.

This book should be required reading for everyone.

Review: "Daughter of the Blood" by Anne Bishop

What would it take to turn Hell upside down? How about a young girl who is much more than she seems.

Jaenelle is Witch, a being destined to be more powerful than the High Lord of Hell himself. If, of course, she lives long enough to fulfill her potential.

She is only seven when she's discovered to have the powers of Witch, and her childish antics keep Saetan, the High Lord, and her earthly protector and would be consort, Daemon Sadi, scrambling to keep her safe.

If she were to fall under the control of the wrong people, it would be disastrous. The wrong hands are the vengeful, self-appointed High Priestess of Hell, Hekatah, and her mortal puppet, Dorothea SaDiablo. Both who long to get their hands on the girl, never fully realizing what she is.

Review: "Stalking Darkness" by Lynn Flewelling

There's nothing like discovering a good series when a couple of the books are already out. The day I finished "Luck in the Shadows," I went right out in search of "Stalking Darkness," and I was able to dive right back into the story.

And it was definitely worth jumping right back into. Alec and Seregil hardly get a rest when their first adventure is over before another crisis threatens the world. As war brews, an evil artifact is stolen from the Oreska House. In the midst of this Alec is learning the truth of his heritage.

While good old-fashioned swashbuckling and strong imagery powered the first installment of this series, "Stalking Darkness" focuses more on character. Flewelling builds on the relationships between Alec, Seregil, Nysander and Micum and Beka Cavish. When this story ends, no character is left unchanged. She even makes the despicable Thero seem almost sympathetic.

Another thing I like about this book is Flewelling's willingness to take chances. One in particular will likely make more than a few readers uncomfortable, and from some of the comments I've read, it may even turn some people off the series completely. That's a real shame. Other readers have taken it in stride though, and some even find it refreshing. All I know is that I thoroughly enjoyed this book, and I can't wait to dig into "Traitor's Moon."

This series is shaping up as one that's worth checking out.

Review: "Glenraven" by Holly Lisle and Marion Zimmer Bradley

When two women looking for a change in life plan a trip to a small mountain resort in Italy, they get much more than they bargained for.

JayJay Bennington picks up a travel guide to a small principality named Glenraven in her local bookstore. After reading about the charms of the country, and learning that it's only open to tourists for a limited time, she decides on a trip. Her friend Sophie goes along, and together they are pulled into a world very unlike the sleepy North Carolina town they hail from.

The pair learn that the book was a magical artifact sent to their world to bring back heroes, but Sophie and JayJay are far from what they expect.

The most striking thing about this novel is the vividness of the world it's set in. The magical kingdom of Glenraven is brought to life by Bradley and Lisle, a memorable land inhabited by memorable people.

Glenraven is a good read, and I'm looking forward to the sequel.

Review: "Luck in the Shadows" by Lynn Flewelling

Most readers and writers now are looking for fantasy with something a little different -- fantasy that avoids quite a few of the things that the foundation of the genre is built on.

That's all well and good, but every now and then you just need one of those books with a dashing, roguish hero helping a mysterious magician defeat an absolute evil. That's exactly what Lynn Flewelling delivers in "Luck in the Shadows".

Alec of Kerry is wrongly imprisoned along with our dashing rogue, Seregil, who frees him and begins a grand adventure. Alec, a farmboy, is thrown into worlds he never new existed when he becomes Seregil's partner in crime and society and a Watcher for the wizard Nysander. When Seregil pockets an evil artifact, he enmeshes the pair, along with Nysander and Micum Cavish in someone's sinister plot to awaken an ancient evil. It's up to Nysander and his Watchers to stop that from happening.

I know. Sounds like a pretty basic fantasy plotline, and it is, but it's pulled off masterfully with wonderful language and striking descriptions. Flewelling's eye for detail puts you in the room as Nysander struggles to lift a curse and puts you alongside Alec on his first excursion as a thief.

This book is one that's hard to put down, especially if you're a fan of traditional fantasy.

But it's not only for those who like the more standard approach, either. Just because the novel doesn't "break the mold," doesn't mean there aren't some interesting twists. There are plenty -- but I'm not going to give them away here. You'll just have to read the book.