Review: "Legends II"

The first "Legends" collection, released in 1998, was a fantasy fiction fan's dream come true. It featured new short novels from 11 of the heavyweights of the genre, set in their signature worlds. It served as both a treat for long-time fans and a good introduction for the newbies - a way to test the waters before diving into a 700-1,000 page doorstop novel.

"Legends II" ($28.95, Del Rey) brings back a couple of the alumni of the first volume, while mixing in a few new writers, as well. Robert Silverberg is back as the editor, and also contributes a story from his world of Majipoor. Other returning authors include George R.R. Martin, Orson Scott Card, Tad Williams, Anne McCaffery and Raymond Feist. New to the collection are Robin Hobb, Diana Gabaldon, Elizabeth Haydon, Neil Gaiman and Terry Brooks.

As with the first book, the stories are a mixed bag, depending on your tastes in fantasy. Among the best stories are those by Martin, Gaiman and Williams. Martin continues the tale of the hedge knight Dunk that he began in the first "Legends" collection with "The Sworn Sword." Gaiman contributes a dark and atmospheric tale set in the world of his novel "American Gods" with "The Monarch of the Glen." Williams dips into his virtual reality "Otherland" world, and also takes a time to have a little fun and play around in Middle-Earth in "The Happiest Dead Boy in the World."

Some of the authors in the book truly fit the title. While they all have their fans and detractors, no matter which side of the fence you're on, you can't deny that names like McCaffery, Feist and Brooks are indeed legends in the fantasy field. If you like their previous work, you'll probably like these stories.

A few of the stories I found disappointing. Over the past several years Hobb has become one of my favorites in the fantasy genre, but her story "Homecoming," written as a series of journal entries, didn't really work for me. Though the approach is a unique idea, it kept me from really getting into the flow of the story. Likewise, Card, who is an outstanding writer, gives us another story in the world of Alvin Maker with "The Yazoo Queen," but I much prefer his Ender series. Being science fiction, Ender doesn't really fit into this collection, but I've never been a big fan of the Maker tales.

Unlike the first book, which contained 11 authors that I'd read before, I got my first look at a couple of writers in this book - Gabaldon and Haydon. I'll definitely be checking out more from them in the future. Gabaldon's characters in "Lord John and the Succubus" are among the more interesting I've read, and while it perhaps isn't a true fantasy tale, it definitely earns its spot in this collection.

Haydon's story, "Threshold," may be the best in the book. Set in her "Symphony of Ages" world, it's certainly the most sweeping and ambitious work in this collection. It takes readers on a journey they won't believe is possible in a mere 80 pages and leaves the reader wanting to dive right into one of Haydon's novels.

In the end, that's the best part of these collections. They give people the opportunity to sample some of the genre's biggest names and best writers in bite-sized chunks that are just enough, if you like the writer, to whet your appetite for more. Long live the "Legends" series.

Review: "Graven Images" edited by Nancy Kilpatrick and Thomas S. Roche

Since the beginning of time, people have made statues, carvings and other images to represent whatever gods held sway in their civilization. Many of these have been swept away by the tides of time and change, but some are still with us.

In "Graven Images: Fifteen Tales of Magic and Myth" (Ace), editors Nancy Kilpatrick and Thomas S. Roche pull together stories that deal with representations of deities of past and present. Beginning with ancient Greece, Egypt and India the stories progress chronologically through modern times.

The book brings together some established fantasy and horror writers like Robert Silverberg, Tanith Lee, Jack Ketchum, Esther Friesner and Lawrence Watt-Evans, with some lesser-known names like Lois Tilton, Kathe Koja and Kathryn Ptacek. Some stories stick entirely with the theme, while others hang on by a tenuous thread, making for an interesting variety.

One of the best stories in the book has little, if anything at all, to do with deities. Lawrence Watt-Evans' "Heart of Stone" tells the story of a woman trapped in a wall of a wizard's home. When the wizard is killed by superstitious townspeople, she spends a great deal of time alone, before a con artist happens upon the ruins of the house and tries to use her for his own gain. He soon finds that the townspeople he's trying to fleece still harbor their ill will toward magic and its practitioners.

There are a number of other very intriguing tales in the collection. Lois Tilton's "The Goddess Danced" tells the tale of a young girl horribly scarred by an attack from a local bully and cast off by her family to the only people that will take her -- a family of beggars. After years of abuse from her husband's family, the girl develops a bond with the goddess Kali.

In "Shaped Stones" by Nina Kiriki Hoffman, a family of orphans in the Great Depression is taken in by a wealthy magician who has designs for one of the orphans who possesses a magical gift. "Mud" becomes a mortal enemy in Brian McNaughton's World War I tale. And in Chelsea Quinn Yarbro's "Giotto's Window," a man begins to see monstrous visions of other people and his doctor is not sure he's insane.

The only low point of the book comes from veteran Gene Wolfe. His "The Eleventh City" has an intriguing idea based on a story from the fifth chapter of Mark, but it's written as a memo between a university researcher and his superior. Unfortunately it also reads like a memo, with no emotion and nothing to hook the reader.

The other 14 tales in the book more than make up for the one slow point near the middle. The book ends with a bang as three powerful tales are stacked up back-to-back. Jack Ketchum and Edward Lee's disturbing "Masks" plumbs the darker side of human nature, and what some are capable of when their faces are hidden. Kathe Koja's "At Eventide" looks at a woman given an incredible power and an opportunity to repay the attacker that gave her this "gift." Finally, Tanith Lee's "That Glisters Is" offers a dream-like view of "the other side."

In the introduction, the editors set some lofty goals for the book. They promise tales that will offer some insight into spirituality. Many of the tales in the book succeed in doing that. What the editors have truly succeeded at, though, is bringing together a collection of interesting and intriguing tales that take a look at the past, and in a few cases, perhaps even the future.