Review: "Stormrider" by David Gemmell

In his latest novel "Stormrider" (Del Rey), David Gemmell returns to a world that looks very much like the 17th Century of our own for what appears to be the final tale of the Black Rigante.

Several years have passed since the events of "Ravenheart," and life has returned to a semblance of normality for the Rigante. Kaelin Ring lives happily with his family in the highlands. The Moidart has taken up painting, of all things, and has turned his cruel attentions away from the highlanders. His son, the Stormrider Gaise Macon - now a general known as the Gray Ghost - has been called to the southern front by the king to help deal with a traitor's army.

That all changes when Winter Kay and his Redeemers recover the legendary Orb of Kranos, the skull of a Seidh god who wants to return to the world. Kay has been warned by the Wyrd that one with a golden eye will come for him. He takes that to mean Macon, who has one blue eye and one golden eye, a family trait.

To avoid the prophecy, Kay sets himself on a path to destroy Gaise Macon. That path may ultimately lead to the destruction of not only the Varlish and the Rigante, but all of humanity.

The tales of the Rigante have been some of the strongest stories of Gemmell's career - and that's saying something. With more than 25 novels in print, he has yet to disappoint.

The last novel "Ravenheart" left me wanting to walk the highlands with Jaim Grymauch just one more time, to experience the nobility of the Rigante clan again. This one is a much darker tale, lacking the moments of levity in "Ravenheart." Instead, "Stormrider" left me with a lot of questions about the future of a world at a turning point, and also questions of what might have happened if that turning point had gone differently in our own world.

Gemmell weaves his thoughts on mankind's destructiveness and the damage we've done to our world into the plot of "Stormrider." The Seidh god Cernunnos seeks to destroy the human race, because he's seen it destroy the magic of other worlds.

At the same time, Gemmell is not heavy-handed with the moral side of the tale. He never becomes preachy as some writers do when tackling real-world issues, but instead sheds a light of hope on the situation.

The rest of the tale is pure Gemmell. As always, his view of heroism is more realistic than many of his fantasy counterparts. He understands that great men - or women, for that matter - are made in the moment, and are usually not the glory-seekers of the world.

His heroes don't have adventure after adventure, but rather rise to the call of circumstance. It's a refreshing break from the near-immortal protagonists that flood fantasy fiction - and one of the things that manages to keep his work fresh book after book.

Review: "Ravenheart" by David Gemmell

David Gemmell may be the best writer you've never heard of.

The British fantasy writer has made a name for himself in his native Europe, but he's only recently found a measure of success in the United States.

In his newest book, "Ravenheart" (Del Rey), Gemmell returns to the world of the Rigante for a third tale. Set in Gemmell's version of 17th century Britain, the book weaves the story of Jaim Grymauch, a hero of the outlawed Rigante clan, and his young protégé Kaelin Ring.

For years, the Varlish have subjugated the highlanders, but recently things have become worse. Since his wife had a tryst with Kaelin's father, the Moidart has become even more vicious toward the clans. Even the Moidart's own son is disturbed by the Varlish leader's actions, but no one has the nerve to stand up to the man who has a penchant for hangings.

Things soon begin to go badly for the Varlish. A young girl is raped and murdered because she openly associates with a young clansman - namely Kaelin Ring. Certain that Varlish justice won't punish the murderers, Kaelin tracks them down and delivers his own brand of justice. That sets off a chain of events that sends Kaelin fleeing into the northern mountains and escalates tensions between the two races. It takes only a few more Varlish acts to push those tensions to the breaking point.

One of the most unique facets of Gemmell's work is his approach to series fiction. He understands something about true heroes that other writers often miss - that a hero is not a superhuman figure who has adventure after adventure, but rather an ordinary person who reacts extraordinarily when there is a need. Though the books of his series are set in the same world, they tell the story of a hero in a volume or two and then move forward, often skipping generations between books to get to the next time of crisis and the rise of the next hero.

Gemmell also understands the breathless adventure that is at the heart of the fantasy genre. His novels are rousing tales of heroism, honor and legend with few wasted words. Events move quickly, keeping the reader engrossed in the action.

I discovered Gemmell several years ago and have since mowed through most of his 25 books. So far I haven't been disappointed by any of them. "Ravenheart" continues the trend with characters and a story that grabbed me from the very beginning and held me spellbound until the last word. It manages to pack a punch and at the same time whet your appetite for what is to come with the Rigante.