Review: "The Overneath" by Peter S. Beagle

It shouldn’t come as a huge surprise in “The Overneath” ($15.95, Tachyon Publications), Peter S. Beagle writes about a few unicorns. But there are a few other nice surprises in this short story collection, as well.

We’ll get the familiar ground out of the way first. Of the 13 stories in the book, three deal with unicorns of various stripes, and two focus on his bumbling magician Schmendrick.

First up is “The Green-Eyed Boy,” which tells the tale of how Schmendrick came to be apprenticed to the wizard Nikos prior to Beagle’s most well-known tale, “The Last Unicorn.” It’s a fun and funny story that should please fans of that book. Though less funny, the same could be said of “Schmendrick Alone,” in which we learn about the first time that the wizard summoned a demon that he couldn’t control.

Review: "Wizards," edited by Gardner Dozois and Jack Dann

"Wizards" (Berkley, $25) bills itself as a collection of stories by "masters of modern fantasy," and it lives up to that billing.

Almost every author contributing to the book will be well-known to fans of fantasy fiction, ranging from masters like Neil Gaiman and Orson Scott Card to relative newcomers like Eoin Colfer.

Wizards, of course, are a staple of the fantasy world, and almost every different kind of magician imaginable is featured in this collection from the all-powerful to the mere illusionist.

There are warm-hearted and whimsical stories like Neil Gaiman's "The Witch's Headstone," which finds a young resident of a graveyard who can speak with the spirits attempting to buy a headstone for an accused witch buried anonymously, or Colfer's offering, "A Fowl Tale," about a talking dove who backs himself into a corner while trying to spin a tale for his supper. Even the normally dark Tanith Lee takes a light approach on "Zinder," about an abused and mentally impaired man who soars the night skies making things right.

Darker tales do appear. Mary Rosenblum's creative "Color Vision" features a wizard hunting young people with the talent to gain their power. The wizard in Elizabeth Hand's "Winter's Wife" uses her magic to avenge a greedy man's act against the natural beauty of her new home. Peter Beagle's "Barrens Dance" features one of the few truly evil wizards in the collection, a man intent on winning the love of a woman he can't have, through any means he can. But even these stories usually end well, if not always entirely happily.

There are tales that play on legends, such as Garth Nix's "Holly and Iron," drawing on a number of different European tales, including King Arthur. Jane Yolen' s "Slipping Sideways Through Eternity" even places the prophet Elijah in the position of wizard.

Perhaps the strangest story (and title) is Andy Duncan's "A Diorama of the Infernal Regions, or the Devil's Ninth Question" which finds a young girl jumping into a diorama and finding herself in a house where she'll face the devil himself.

There are a few forgettable stories in the mix, but very few. For the most part, this is a collection of writers doing what they do best. The stories are entertaining and offer a wide variety of styles and wizards to suit most any taste. "Wizards" is a good way to sample some of the best writers in the genre today.

Get "Wizards."

Review: "Tamsin" by Peter S. Beagle

There are good ghost stories, and then there are good stories that happen to have a ghost. In "Tamsin" (ROC), Peter S. Beagle has managed to give the reader a little bit of both.

The book begins with the tale of a 13-year-old girl, Jennifer Gluckstein, who is displaced from her home in New York after her mother marries an Englishman. She's moved into the English countryside, on a farm in Dorset. The first 100 pages of the book take an in-depth look at her adjustment to this new life and her obstinate refusal to be happy there. During this time, the ghosts are only hinted at, but the story line still manages to hook the reader.

Even when Tamsin Willoughby appears in the story, it still doesn't turn into the traditional sort of ghost story. Instead, we watch as Jenny and Tamsin develop a friendship, and Jenny tries to puzzle out the mystery of Tamsin's life.

Tamsin was the daughter of a farmer named Roger Willoughby who worked the farm during Judge George Jeffreys' Bloody Assizes in the wake of the Duke of Monmouth's Rebellion. Jeffreys took a liking to the girl and was infuriated when she didn't return his affections, instead bestowing them on a musician who played for her while a portrait was painted.

The final third of the book finally introduces the traditional angle, when Jeffreys arrives at the farm to claim what he thinks is rightfully his - Tamsin.

The historical aspect of the book fascinated me, sending me to the Internet to research Judge Jeffreys and the Bloody Assizes. What I found indicates that Beagle's portrayal of him is likely fairly accurate. Though sources offer conflicting reports of how many men Jeffreys hanged for treason - varying from less than 200 to almost 500 - all agree that he was known for his cruelty. The self-righteous apparition we see in "Tamsin" seems to be in line with that.

The book is written from the point of view of a 19-year-old Jenny Gluckstein, looking back at the happenings as she made the transition to life in the English countryside. It's written in a chatty, conversational style that makes it seem more like a diary. At first, I didn't like the approach, but as the story played out I found that it made it seem more real. The diary style gave me the impression that Jenny was a real person, telling a real story.

We can feel the fascination that Jenny felt as Tamsin introduced her to a whole new world, filled with wondrous creatures - mischievous boggarts seeking to make a deal with the new owners of the home; the shape-shifting Pooka who can never be trusted; the sage billy-blind that always offers the right advice at the wrong time; the mysterious Oakmen who lurk in the tangled forest; and, of course, the fury of the Wild Hunt which soars through the skies of the English countryside. The style of the story - told in real words that could actually belong to a 19-year-old - makes it easy to believe these things actually exist in our world, below our level of consciousness.

While "Tamsin" is a story of the supernatural, it's not a white-knuckled, edge-of-your-seat page-turner. Instead, it's more like a meandering stroll through a haunted wood that contains spirits both fair and foul. But that only serves to make the story more effective.

With "Tamsin," Beagle shows again why he is one of the premier storytellers in fantasy or any other genre.