Sunday, July 15, 2001
Review: "The Mists of Avalon" by Marion Zimmer Bradley
I've read a lot of Arthurian fantasy, but there are only a couple that stick out in my mind as "must-reads." They include Sir Thomas Malory's "Le Morte D'Arthur," T.H. White's "The Once and Future King" and last, but certainly not least, Marion Zimmer Bradley's "The Mists of Avalon." Each of these books brings something different to the round table, "Mists of Avalon" most of all.
To coincide with the TNT miniseries, Del Rey has issued a Ballantine Reader's Circle edition of Bradley's classic, and it seemed like a good opportunity for me to revisit a book I hadn't read in a few years.
You've heard the stories about Arthur and his knights, but Morgaine - later known as Morgan Le Fay - is quick to tell you that most of them have, at the least, been exaggerated. Many are outright lies.
"Mists of Avalon" is unique in that it's told exclusively from the point of view of the major women in the legends - The Lady of the Lake Viviane, Arthur's mother Igraine, Arthur's aunt Morgause, Queen Gwenhwyfar and, of course, the key player Morgaine.
While the story follows the basic outline of most Arthurian legends, it takes a lot of detours from the worn path. Many things we take for granted in the legends, we find to have very different reasons for happening in Bradley's vision.
If history is viewed through the eyes of the victor, "Mists of Avalon" is the lost text written by the other side.
The reader will leave Bradley's book with a new understanding of Morgaine, a character so often viewed as an evil villain. In reality, she's more a victim of the changing times.
She's not the only one who gets a facelift, though. Bradley does an outstanding job of developing all the characters and revealing some surprising things about them. She takes already rich subject matter and makes it even more intriguing.
The book also tackles some tougher issues - including religion and gender roles.
Central to the story is the struggle between age-old pagan religions and the new Christianity, which is rapidly sweeping over the world. The tension between the earth-based religion of the Druids and the more rigid rules of the Christian church create a majority of the conflict in the tale.
Arthur is sworn to the Priestesses of Avalon to be a fair ruler to both the followers of the old ways and the Christian church, but Gwenhwyfar would have the old religions driven from her country. The struggle ultimately leads to his downfall.
Stemming from that same conflict is another involving the changing role of women. Before the rise of Christianity, women have been respected advisors, but the new church thinks it an affront for a woman to raise her voice, a problem that puts Morgaine constantly at odds with her brother's wife.
As for the TNT miniseries, it has the same problems that most Hollywood productions have - an attempt to cram an 800-page novel into four hours of film, with commercials. The filmmakers cut deeply and twist certain events for dramatic effect.
While I'll admit that Bradley's novel could have been trimmed a little, the film cuts far too much. Much of the conflict between the Christian and pagan religions - which is so key to the success of the book - is lost. Many of the excised scenes are also ones that are very telling about the characters. The result is instead of the rich personalities of Bradley's work, you have undeveloped cut-outs of many of the characters.
Despite its liberties, however, the film does follow the same basic plan as the book. It's also saved by impressive performances from Julianna Margulies, Joan Allen and Anjelica Huston. The actors chosen to portray the Merlin and Mordred, were also, in my estimation, perfect for the parts.
While the movie is entertaining, as with most things, it doesn't even come close to the power of the book. Enjoy the movie, then go out and buy the book. It's long and involved, but well worth the effort.